I'm obsessed with finding all the tracks to XTC's 1983 album
Mummer. It's not usually noted as being one of their best recordings but to me it's fantastic. I only ever owned it on cassette and it's long been worn out and tossed out. XTC had a big hit, at least in Canada, with their lp
English Settlement and the single
Senses Working Overtime in 1981, which I got for Christmas that year. I adored it, with it's green packaging and chalk horse emblem. The music was rich in lyrics, melody, instrumentation and in production. So when
Mummer came out in the fall of 1983 I snatched it up as soon as it appeared in the local 'Sam the Record Man'.
I went home on that chilly evening,treasuring that little brick, closed the door to my room and lay down on the bed to listen with my eyes closed. I still remember that feeling of warmth that poured out of that album in contrast to the cold outside. It was like drinking hot chocolate with half-melted marshmallows. The thing about an XTC song is that it typically has about ten songs all parsed into one liquid delight. There are staccato cellos, accordions, mandolins wind, far off voices, chiming harmonies, pure acoustic plucking,insect droning,organ,the distant tinkle of piano and intelligent and poignant metaphors. All of Which means you can listen over and over and always draw something fresh out of it but still have that comfortable resonance that familiarity brings. The first track
Beating of Hearts with it's drone and stop/start beat still brings back a moment as I was getting ready for school in grade 13; the air is crisp, the rosey dawn is just arriving through the branches and over the rooftops. The line "No weeping willow was ever as beautiful-sad as you are" from
Ladybird has drifted and bobbed obscurely in my brain all these years.
Now I'm thinking about why I'm so attached to this music and especially at this time. It's like I'm gathering parts of my life these days to see if it makes any sense. The nice thing is that so far it does.